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Afridiziak Theatre News
HOME
WHAT’S ON
WHAT’S ON
The Köln Concert Trajal Harrell / Zürich Dance Ensemble 4 – 5 Apr 2025
WHAT’S ON
Alterations by Michael Abbensetts 20 Feb – 5 Apr 2025
WHAT’S ON
BANGERS by Danusia Samal 24 Feb – 10 Apr 2025
WHAT’S ON
THE WOMEN OF LLANRUMNEY 19 Mar – 12 Apr 2025
WHAT’S ON
This Kind of Black (Requiem for Black Boys) 8 – 12 Apr 2025
REVIEWS
REVIEWS
Hadestown – review
REVIEWS
Retrograde by Ryan Calais Cameron – review
REVIEWS
Ballet Black – Shadows – review
REVIEWS
Alterations by Michael Abbensetts – review
REVIEWS
Jamie Lloyd’s Much Ado About Nothing by William Shakespeare – review
INTERVIEWS
INTERVIEWS
Temi Wilkey – Main Character Energy: interview
INTERVIEWS
Matthew Xia
INTERVIEWS
Winsome Pinnock – Pig Heart Boy interview
INTERVIEWS
Mojisola Kareem – interview
INTERVIEWS
Amy Jephta – interview
NEWS
NEWS
Isley Lynn and Edson Burton win 2025 Imison and Tinniswood awards
NEWS
Breakin’ Convention Festival 2025
NEWS
SPOKEN WORDS, REAL TALK POETRY COLLECTION BY MIMI ROSE
NEWS
CAST AND EDINBURGH FESTIVAL FRINGE TRANSFER OF NAOMI DENNY’S ALL THE HAPPY THINGS
NEWS
TAIO LAWSON ANNOUNCED AS ARTISTIC DIRECTOR AND CO-CEO OF BUSH THEATRE
COMPETITIONS
OFFERS
OFFERS
£10 tickets to Tones – A Hip-Hop Opera
Home
REVIEWS
Page 17
REVIEWS
Amazing Grace
Jude by Howard Brenton
Small Island
SS Mendi: Dancing the Death Drill
A Man of Good Hope
Kunene and the King by John Kani
Ghost Stories by Jeremy Dyson and Andy Nyman
Nigel Slater’s Toast
Going Through by Estelle Savasta
Top Girls by Caryl Churchill
The Phlebotomist, by Ella Road
Downstate by Bruce Norris
Angela Davis – Women of the World (WOW) Festival 2019
Emilia
Boots
The American Clock by Arthur Miller
Six
Waitress
Tartuffe
good dog by Arinzé Kene
A Christmas Carol
When We Have Sufficiently Tortured Each Other
Behind the Canvas
Leave to Remain
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